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The Apotheosis of Consumer Culture and a Career

In his continuing exploration of David Cronenberg’s Jewishness, Sean Alexander appraises David Cronenberg’s only novel, Consumed. In 2014, the Baron of Blood and King of Venereal Horror, Canadian Jewish movie director, David Cronenberg, released his last movie to date, Maps to the Stars, and published his first novel Consumed. It brought the filmmaker’s career full […]

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New Flesh for Old

In the second part of a two-part series, Sean Alexander explores the films of Brandon Cronenberg and the return of Jewish Body Horror. *Warning: this review contains spoilers Brandon Cronenberg’s second film, Possessor (2020), echoes much of the corporate themes of its predecessor, this time positing a technology that allows the cerebral transference of ‘agents’ […]

Sean Alexander featured

The Return of Jewish Body Horror

In the first of two articles, Sean Alexander explores the films of Brandon Cronenberg. ‘Long Live the New Flesh’ has become a mantra for the underlying themes in the films of David Cronenberg, long since it was first uttered by Max Renn (James Woods) in the climactic scene of 1983’s Videodrome. Cronenberg’s tracking of humanity’s […]

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